Its all about the knit …

Around a year ago shortly before Christmas I discovered Innocent smoothie bottles with knit beanies while lunching at Cojean, the organic canteen of Paris famed department store Printemps. I immediately thought how cute is that. These bottles are actually wearing beanies to protect their – well caps – “against the cold of the fridge”. A few weeks later fall 2014 collections were presented and as usual knitwear was a repeating theme. But this season it wasn’t just about coziness. Much more at several brands the sweaters were that big that they gave a feeling of the wearer being caught in a spiders web.  At Commes des Garçons the idea of human beings locked up in woolen textiles spinning around the body got really scary! In June we visited Dover Street Market, the multi floor shopping empire owned by the Japanese brand Commes des Garçons. Again something knitted caught my eye! One of the three several floor spanning columns was covered in colorful knit reminding me of South American native crafts and evoking joyful childhood memories. Until that time to me woolen textiles had always been something functional that keeps you warm and creates a cosy atmosphere at home. But far beyond that I started to realize that they can evoke strong feelings ranging from cuteness to discomfort. However, I had never seen or been aware of sculptures or installations made out of textile! Are there artist working mainly or solely with textiles?

Sheila Hicks

Besides being functional and decorative textiles can evoke strong emotions, like cuteness in case of the bottle beanies, fear in case of the Commes des Garcons fall 2014 runway look (pic style.com) or happiness in case of the knit enveloped column at DSM NYC (pic http://experiencenomad.com)

Honestly, after returning from NYC I somehow lost sight of the topic of textiles and art. I was all the more happy to spot a textile sculpture by artist Sheila Hicks at Alison Jacques Gallery during Frieze London 2014.

Sheila Hicks

Sheila Hicks “Cordes Sauvages” (2014), Alison Jacques Gallery at Frieze 2014

Sheila Hicks

Sheila Hicks “Cordes sauvages” (2014), Alison Jacques Gallery at Frieze London 2014

Strangely her “Cordes sauvages” combined the South American joyfulness of the knit covered column at Doverstreet Market with the scariness of the Commes des Garcons fall collection. According to The Art Newspaper, which I picked up at the fair, Sheila Hicks is a pioneer in the field of textile art. This movement began in the 50ies but it has been struggling for recognition until today, which is due to conservation issues to some extend. Besides the gallery art representation of textiles they also gained recognition in streetart. Here the scene is called yarn bombing or guerrilla knitting and originated around 2005 in Texas.

What do you think? Have you ever felt that textiles can be more than just functional and beautiful? Do you feel that they are suitable for making art?